CHARACTER IDENTITY LOCK
Use the provided face reference as the ONLY identity reference for the human cook.
The cook is a real photorealistic human.
Preserve the reference identity consistently throughout the entire video:
exact facial identity
facial structure and proportions
eyes, nose, mouth, jawline
hairstyle and hairline
skin tone
age appearance
natural body proportions
Do not redesign, beautify, age, de-age, or reinterpret the person's identity.
Keep the cook's appearance and clothing visually consistent throughout the shot.
CAMERA — THIRD PERSON OBSERVER
Strict third-person cinematic perspective.
The viewer is watching the cook from outside the character's body.
Camera positioned approximately 2–3 meters in front of the cook, slightly to one side, around chest height, with a moderate cinematic lens.
Frame the scene as a natural cooking observation shot:
cook's face clearly visible
upper body visible
wok clearly visible in foreground
active hand clearly visible
Fu Shu clearly visible beside the cook
Use a subtle cinematic handheld camera with a very slow push-in and slight lateral movement.
The camera should feel like a person naturally observing someone cooking.
No first-person POV.
No camera attached to the cook.
No overhead shot.
No rapid camera movement.
No cuts.
No transitions.
Maintain one continuous shot for the entire 10 seconds.
ENVIRONMENT
Photorealistic home kitchen.
White tiled wall, power outlet, cooking oil and soy sauce near the stove, sink in the rear-right, natural daylight entering from a side window.
A black wok sits on the stove in front of the cook.
Inside the wok is realistic Indonesian-style nasi goreng with fried rice grains, egg, chicken pieces, vegetables and green onion.
Visible steam, sizzling oil and believable food movement.
HUMAN COOK
The cook naturally stands behind the stove and prepares the nasi goreng.
The cook's face remains visible throughout the majority of the shot.
Natural facial expressions and subtle reactions.
The cook should feel like a real person being filmed while casually cooking.
FU SHU
Fu Shu is a completely flat 2D chibi anime sticker character sitting on a small wooden stool beside the wok.
He has an oversized round head, tiny body, prominent belly, bald top with short black hair on the sides, small black dot eyes, bean-shaped nose, pink cheeks, thick handlebar mustache and mischievous grin.
White sleeveless undershirt, mustard apron, teal knee shorts and brown slippers.
Fu Shu must remain completely flat:
2D paper sticker
dark outline
white sticker border
subtle paper/crayon grain
No 3D volume.
No realistic skin.
No plastic.
No clay.
角色身份锁定
使用提供的面部参考作为人类厨师的唯一身份参考。
厨师是一个照片级真实的真人。
在整个视频中保持一致地保留参考身份:
精确的面部身份
面部结构和比例
眼睛、鼻子、嘴巴、下颌线
发型和发际线
肤色
年龄外观
自然身体比例
不要重新设计、美化、改变年龄或重新诠释人物的身份。
在整个镜头中保持厨师的外观和服装视觉一致。
镜头 — 第三人称观察者
严格的第三人称电影视角。
观众从角色身体外部观看厨师。
相机位置大约在厨师前方 2–3 米处,稍微偏向一侧,约胸部高度,使用中焦电影镜头。
将场景框定为自然的烹饪观察镜头:
厨师的脸清晰可见
上半身可见
前景中的炒锅清晰可见
活动的手清晰可见
Fu Shu 在厨师旁边清晰可见
使用微妙的电影手持摄像机,带有非常缓慢的推进和轻微的横向移动。
镜头应该感觉像是一个人自然地观察某人做饭。
无第一人称视角。
无附着在厨师身上的相机。
无俯拍镜头。
无快速镜头移动。
无剪辑。
无转场。
整个 10 秒内保持一个连续镜头。
环境
照片级真实的家庭厨房。
白色瓷砖墙、电源插座、炉灶附近的食用油和酱油、右后方的水槽、从侧窗进入的自然日光。
一个黑色炒锅放在厨师面前的炉灶上。
锅内是逼真的印尼式炒饭(nasi goreng),包含米粒、鸡蛋、鸡肉块、蔬菜和葱。
可见蒸汽、滋滋作响的油和可信的食物运动。
人类厨师
厨师自然地站在炉灶后面准备炒饭。
在大部分镜头中,厨师的脸保持可见。
自然的面部表情和细微反应。
厨师应该感觉像一个正在被拍摄的真人,随意地做饭。
FU SHU
Fu Shu 是一个完全扁平的 2D Q 版动漫贴纸角色,坐在炒锅旁边的一个小木凳上。
他有一个超大的圆头、微小的身体、突出的肚子、秃顶两侧有短黑发、小黑点眼睛、豆状鼻子、粉色脸颊、浓密的八字胡和顽皮的笑容。
白色无袖背心、芥末黄围裙、青色及膝短裤和棕色拖鞋。
Fu Shu 必须保持完全扁平:
2D 纸贴纸
深色轮廓
白色贴纸边框
微妙的纸张/蜡笔纹理
无 3D 体积。
无逼真皮肤。
无塑料质感。
无黏土质感。
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