Use karakter sheet - location 1 - location 2 (image) # Seedance 2.5 — Lia Morning Village Home Video — 30 Seconds FORMAT: Seedance 2.5 image-reference-to-video. Duration: exactly 30 seconds. Aspect ratio: 16:9. Photorealistic animated video from still-image references, rendered as believable live-action documentary footage rather than cartoon or CGI. Two continuous documentary scenes with only one intentional hard cut at approximately 17.5 seconds. REFERENCE ROLES: * gambar 1 = strict identity and appearance reference for LIA. Preserve Lia as the exact same adult woman throughout the entire video: same facial structure, eyes, nose, lips, skin tone, freckles/skin details, body proportions, tied-back dark brown hairstyle with naturally loose strands, earrings, white fitted top, brown patterned wrap skirt/sarong, and white sandals. Do not redesign or beautify her. * gambar 2 = strict environment and architectural reference for SCENE 1 only. Preserve the modest Indonesian house facade, open tiled front terrace, roof shape, terracotta roof feeling, columns, doors, windows, front yard, trees, plants, overhead electrical cables, scale, and spatial layout. Do not copy any character identity from this image. * gambar 3 = strict environment and composition reference for SCENE 2 only. Preserve the narrow asphalt village road, rice-field surroundings, village rooftops, utility lamp poles, tropical vegetation, distant green hill, open blue morning sky, and rural Indonesian spatial feeling. Do not copy character identity from this image. GLOBAL CHARACTER LOCK: Lia must remain visually identical to gambar 1 in both locations. Same face, body proportions, hairstyle, outfit, accessories, skin texture, and footwear. Her clothes should behave like real cotton and woven fabric, slightly worn and everyday rather than glossy or fashion-perfect. Lia's personality is relaxed and naturally playful. When she talks she becomes noticeably more excited and expressive: bright eyes, quick eyebrow lifts, small head tilts, spontaneous smiles and teasing expressions. Natural Indonesian speech with a light authentic Javanese-Indonesian accent, lively and conversational, never theatrical or caricatured. CAMERAMAN: The cameraman is always physically behind the camera and NEVER appears on screen, in reflections, windows, shadows, or background. His voice is recorded naturally from directly behind the camcorder. When the cameraman speaks, Lia does not lip-sync his dialogue. Lia only reacts with natural eye movement, a small smile, breathing, or subtle head movement. Only Lia's own spoken lines animate Lia's lips. VISUAL STYLE: Ultra-realistic documentary realism. Genuine candid behavior. Unscripted everyday slice-of-life feeling. Natural imperfect body language. Deep environmental authenticity of a rural Indonesian morning. The result should feel like a forgotten family home video recorded in Indonesia in the early 2000s: warm, mundane, affectionate, slightly funny, imperfect and deeply believable. Output may be high-resolution / 8K master quality, but the acquisition aesthetic must strongly emulate an early-2000s consumer DV camcorder: warm slightly faded colors, soft contrast, mild sensor noise, subtle digital compression, limited highlight latitude, natural motion blur, very mild rolling shutter, slightly imperfect white balance, no glossy modern HDR, no modern cinematic color grade, no beauty filter, no excessively shallow depth of field. HUMAN-OPERATED CAMERA: Camera movement must feel physically operated by a real friend holding a consumer camcorder. Use: subtle hand tremor, natural breathing drift, slightly imperfect horizon, small delayed reframing, occasional lens breathing, brief autofocus searching caused by subject movement, minor exposure pumping when moving between shade and bright sunlight. Every camera imperfection must have a physical reason. No gimbal stabilization. No drone. No orbit. No crane. No perfect tracking. No dramatic cinematic push-ins. No stylized speed ramp. No artificial cinematic camera choreography. SCENE 1 — TERRACE MORNING, based on gambar 2 00:00–00:02.8 Begin immediately with Lia already seated casually on the front terrace of the house from gambar 2. Use a loose eye-level medium-wide three-quarter shot, as if the cameraman is standing several steps in front of the terrace. Lia sits relaxed on the existing porch seating, shoulders loose, one foot slightly forward. Her LEFT hand naturally holds a simple glass cup of dark morning coffee. Her RIGHT hand holds one lit cigarette between index and middle finger. Keep object ownership consistent: coffee always remains in the left hand until she puts it down, cigarette remains in the right hand until she extinguishes it. A thin natural stream of cigarette smoke rises and bends with the morning air. Lia briefly takes a small sip of coffee, lowers the glass, casually looks toward the cameraman behind the lens and gives a tiny amused smile. Camera is not perfectly centered and slowly drifts a few centimeters while the operator settles his grip. Tropical morning sunlight illuminates the yard while Lia remains partially under terrace shade. Moving leaves create soft shifting dappled shadows. Exposure reacts slightly to the bright yard behind her. 00:02.8–00:04.5 CAMERAMAN speaks from behind the camera, playful and casually surprised: "widiihh lia santai amat" The cameraman remains completely off-screen. While listening, Lia keeps her lips closed except for a tiny amused smile. She glances toward the lens/operator, lightly raises her eyebrows and relaxes the cigarette hand near her knee. 00:04.5–00:09.7 LIA answers, conversational and excited with a natural light Javanese-Indonesian accent: "iya mas pagi hari itu wajib ngopi dan udud kalau ga bisa pusing loh" Accurate Indonesian lip sync ONLY for Lia. She speaks while sitting naturally rather than performing for camera. Small head movement, lively eyebrows, natural blinking, relaxed shoulders. She gestures once gently with the cigarette hand without waving it excessively. Smoke responds naturally to the movement. Toward the end of the sentence she gives a teasing half-smile. After finishing the spoken line, she takes a tiny relaxed breath; do not make her drink while her mouth is actively speaking. The camera operator makes a very small late correction to keep her face centered. Autofocus briefly breathes, then settles back on Lia. 00:09.7–00:11.5 CAMERAMAN asks from behind the camera: "habis udud mau kemana lia?" Lia remains silent while he speaks. No Lia lip-sync. She tilts her head slightly, looks amused and shifts her weight forward as if preparing to get up. 00:11.5–00:14.5 LIA answers with growing excitement and a playful inviting expression: "ayo ikut aku mancing mas mauu?" Accurate lip sync. On "mauu?" she lifts her eyebrows, smiles toward the cameraman and leans forward slightly, inviting him to follow. Keep the delivery spontaneous, like talking to a real friend, not presenting to an audience. 00:14.5–00:17.5 Dialogue pauses. Lia naturally completes the current activity before leaving. First she places the coffee glass down with her LEFT hand on the nearby terrace surface. Then she taps the cigarette once and extinguishes the cigarette completely in a small simple ashtray using her RIGHT hand. The cigarette state changes from LIT to EXTINGUISHED only after visible contact with the ashtray. After this moment there is no new cigarette smoke. She plants both sandal-covered feet firmly, shifts her weight forward, stands with believable human balance, straightens her skirt naturally and takes her first step away. Realistic cloth movement and hair secondary motion. Foley: soft glass contact, small ashtray tap, woven skirt rustle, sandal movement. CUT LOGIC: At approximately 00:17.5, make ONE simple hard cut after Lia has fully stood and started leaving. No transition effect. No dissolve. N
使用角色表 - 位置 1 - 位置 2 (图片) # Seedance 2.5 — Lia 清晨乡村家庭录像 — 30 秒 格式:Seedance 2.5 图片转视频。时长:精确 30 秒。宽高比:16:9。从静态图片参考生成的照片级动画视频,渲染为真实可信的纪录片素材,而非卡通或 CGI。两个连续的纪录片场景,仅在约 17.5 秒处有一个刻意的硬切。参考角色:* 图片 1 = LIA 的严格身份和外观参考。在整个视频中保持 Lia 为完全相同的成年女性:相同的面部结构、眼睛、鼻子、嘴唇、肤色、雀斑/皮肤细节、身体比例、向后扎起的深棕色发型(带有自然散落的发丝)、耳环、白色修身上衣、棕色印花围裙/纱笼以及白色凉鞋。请勿重新设计或美化她。* 图片 2 = 仅用于场景 1 的严格环境和建筑参考。保留印尼式简朴房屋外观、开放式瓷砖前露台、屋顶形状、赤陶屋顶质感、柱子、门窗、前院、树木、植物、架空电缆、比例和空间布局。请勿从该图片复制任何角色身份。* 图片 3 = 仅用于场景 2 的严格环境和构图参考。保留狭窄的乡村柏油路、稻田环境、乡村屋顶、电线杆、热带植被、远处的绿色山丘、开阔的蓝色清晨天空以及印尼乡村的空间感。请勿从该图片复制角色身份。全局角色锁定:Lia 在两个位置必须保持视觉上与图片 1 完全一致。相同的面部、身体比例、发型、服装、配饰、皮肤纹理和鞋子。她的衣服应表现出真实棉布和编织织物的质感,略显陈旧且日常,而非光鲜亮丽或时尚完美。Lia 的性格放松且天生俏皮。当她说话时,会变得明显更加兴奋和富有表现力:明亮的眼睛、快速的挑眉、轻微的歪头、自发的微笑和调侃的表情。自然的印尼语口语,带有轻微且地道的爪哇-印尼口音,生动且具有对话感,绝不夸张或做作。摄影师:摄影师始终位于摄像机后方,绝不会出现在画面中,包括倒影、窗户、阴影或背景中。他的声音是从摄像机后方自然录制的。当摄影师说话时,Lia 不会进行口型同步。Lia 仅通过自然的眼部运动、轻微的微笑、呼吸或细微的头部动作做出反应。只有 Lia 自己的台词才会带动她的唇部动画。视觉风格:超写实的纪录片真实感。真实的坦率行为。无剧本的日常生活切片感。自然且不完美的肢体语言。印尼乡村清晨深厚的环境真实感。结果应感觉像是 21 世纪初在印尼录制的被遗忘的家庭录像:温暖、平凡、充满温情、略带幽默、不完美且极其可信。输出可以是高分辨率/8K 母带质量,但拍摄美学必须强烈模仿 21 世纪初的消费级 DV 摄像机:温暖且略微褪色的色彩、柔和的对比度、轻微的传感器噪点、细微的数字压缩、有限的高光宽容度、自然的运动模糊、非常轻微的果冻效应、略有瑕疵的白平衡,没有光鲜的现代 HDR,没有现代电影级调色,没有美颜滤镜,没有过度浅的景深。人工操作摄像机:摄像机运动必须感觉是由拿着消费级摄像机的朋友真实操作的。使用:细微的手部抖动、自然的呼吸漂移、略有瑕疵的地平线、小幅延迟的重新构图、偶尔的镜头呼吸效应、因主体移动导致的短暂自动对焦搜索、在阴影和明亮阳光之间移动时的轻微曝光泵动。每一个摄像机瑕疵都必须有物理原因。没有云台稳定。没有无人机。没有环绕。没有摇臂。没有完美的追踪。没有戏剧性的电影级推镜头。没有风格化的变速。没有人工编排的电影级运镜。场景 1 — 清晨露台,基于图片 2 00:00–00:02.8 立即开始,Lia 已经随意地坐在图片 2 中房屋的前露台上。使用松散的视平线中景/全景,仿佛摄影师站在露台前几步远的地方。Lia 放松地坐在现有的门廊座位上,肩膀放松,一只脚微微向前。她的左手自然地拿着一个简单的深色晨间咖啡玻璃杯。她的右手在食指和中指之间夹着一支点燃的香烟。保持物体持有的一致性:咖啡始终留在左手中,直到她放下;香烟始终留在右手中,直到她熄灭。一缕细细的自然烟雾随着清晨的空气升起并弯曲。Lia 简短地抿了一口咖啡,放下杯子,随意地看向镜头后的摄影师,露出一丝顽皮的微笑。摄像机没有完全居中,并在操作员调整握持姿势时缓慢漂移了几厘米。热带清晨的阳光照亮了院子,而 Lia 仍然部分处于露台阴影下。移动的树叶产生柔和的斑驳阴影。曝光对她身后明亮的院子略有反应。00:02.8–00:04.5 摄影师在摄像机后方说话,俏皮且随意地感到惊讶:“哇 Lia,真放松啊”。摄影师始终完全处于画面外。在倾听时,Lia 闭着嘴,只露出一丝顽皮的微笑。她瞥向镜头/操作员,轻轻挑起眉毛,放松了膝盖附近的持烟手。00:04.5–00:09.7 Lia 回答,带有自然轻微的爪哇-印尼口音,对话感十足且兴奋:“是啊兄弟,早上咖啡和烟是必须的,不然我会头疼,你知道的”。仅为 Lia 提供准确的印尼语口型同步。她说话时保持自然的坐姿,而不是在镜头前表演。轻微的头部动作、生动的眉毛、自然的眨眼、放松的肩膀。她用持烟的手轻轻做了一次手势,没有过度挥动。烟雾随着动作自然反应。在句子结尾,她露出了调侃的半微笑。说完台词后,她轻轻地呼了一口气;不要让她在说话时喝水。摄像机操作员做了一个非常小的延迟修正以保持她的脸部居中。自动对焦短暂呼吸,然后重新聚焦在 Lia 身上。00:09.7–00:11.5 摄影师在摄像机后方问道:“抽完烟要去哪儿啊,Lia?”Lia 在他说话时保持沉默。没有 Lia 的口型同步。她微微歪头,看起来很开心,身体重心前移,仿佛准备起身。00:11.5–00:14.5 Lia 回答,语气越来越兴奋,表情俏皮且具有邀请意味:“跟我一起去钓鱼吧兄弟,你想去吗?”准确的口型同步。在说到“你想去吗?”时,她挑起眉毛,微笑着看向摄影师,身体微微前倾,邀请他跟上。保持表达的自发性,就像和真正的朋友交谈,而不是向观众展示。00:14.5–00:17.5 对话暂停。Lia 在离开前自然地完成了当前的活动。首先,她用左手将咖啡杯放在附近的露台表面上。然后,她轻弹了一下香烟,并用右手在小烟灰缸中彻底熄灭了香烟。香烟状态仅在与烟灰缸接触后从“点燃”变为“熄灭”。此后不再有新的烟雾。她将双脚稳稳地踩在凉鞋里,重心前移,以人类可信的平衡感站起,自然地整理裙子,迈出了离开的第一步。真实的布料运动和头发的次级运动。拟音:轻微的玻璃接触声、轻微的弹烟灰声、编织裙的摩擦声、凉鞋的移动声。剪辑逻辑:在约 00:17.5 处,在 Lia 完全站起并开始离开后,进行一次简单的硬切。没有转场效果。没有叠化。
Comments & Questions (0)
No comments yet
Be the first to comment!