NEUROPROSTIR — ENTRANCE → THE WEIGHING → THE CASE → ONE CHORD → THE TWENTIETH → LOGO SHOT STRUCTURE: 11 shots, 30 seconds, 4:3, exactly as listed, no added shots REFS: @[Image 1](image_1) = location reference sheet. Controls the room itself only — architecture, layout, materials, window positions, bar position, fixtures, colour of the space. Every shot is staged inside this room. @[Video 1](video_1) = video reference of Vova's face. Controls facial geometry, features, skin and expression range INSIDE the hairline only: forehead, eyes, nose, mouth, jaw, complexion. It does not control hair, hairline, head shape above the hairline, or anything below the neck. @[Image 2](image_2) = character sheet. Controls Vova's hair length, parting, volume and fall, plus his build, height, wardrobe and silhouette. @[Image 3](image_3) = prop turnaround. Controls the guitar's shape, colour, wear and the logo on the lower bout only. @[Image 4](image_4) = character sheet. Controls El Patrón's face, hair, build and wardrobe. @[Image 5](image_5) = photo reference. Controls Anya's face, hair, glasses, earrings and jacket. @[Image 6](image_6) = brand reference. Controls the logo shape, its orange-to-violet gradient, the wordmark, the subscribe button and the server-room environment, for the final shot only. ACTIVE REFERENCES: @[Image 1](image_1) 95% · @[Video 1](video_1) 90% (face only) · @[Image 2](image_2) 95% (hair, build, wardrobe) · @[Image 3](image_3) 95% · @[Image 4](image_4) 90% · @[Image 5](image_5) 90% · @[Image 6](image_6) 100% (final shot only) LOCATION MAP — fixed for the entire piece, every shot is staged against these anchors: - The room runs roughly 12 metres east to west and 9 metres north to south. Terracotta tile floor, adobe plaster walls, exposed dark timber ceiling. - NORTH WALL: the bar, 6.2 metres long, brass rail, a spotted mirror and a full wall of bottles behind it. A single 2400K bulb hangs over the bar. - SOUTH WALL: the batwing doors, 1.4 metres wide, the only entrance. - WEST WALL: three shuttered windows. This is the only daylight source in the room. - EAST WALL: a jukebox, and one table beside it. - CENTRE: a slow ceiling fan, and scattered tables between the doors and the bar. FIXED POSITIONS — each character occupies exactly one position for the whole piece and never appears in two places: - <Bartender> behind the bar, centre, facing south into the room. - <Vova> enters through the south doors, walks north-west across the floor, and stops at the WEST END of the bar. He stands there from shot 3 onward and does not move again. - <El Patrón> is seated on a stool at the bar, about 2.5 metres EAST of where Vova stops, from the first frame to the last. He never stands and never leaves the stool. - <Anya> is seated alone at the EAST TABLE beside the jukebox, whisky and tablet in front of her, from the first frame to the last. She never moves to another table. - Six men at the scattered centre and south tables, seated, none of them at the bar. BAR AXIS: Vova and El Patrón stand and sit side by side along the bar, both facing north toward the bottles. They speak to each other through the spotted mirror, not face to face. The camera stays SOUTH of the bar for the entire piece and never goes behind it. GLOBAL STYLE NOTES: - look: late afternoon sun through the three west shutters as the single daylight source, hard-edged at 3000K, throwing long slatted bars across the tile and up the north wall, dust and cigarette smoke standing visible in the shafts; the 2400K bulb over the bar adds a small warm pool exactly where Vova stops, while El Patrón's stool sits in the gap between two shutter bars and reads darker without any separate lighting; the room falls to deep amber shadow away from the windows; 35mm film still, Kodak Vision3 500T pushed one stop, heavy grain, halation on the shutter slats, warm ochre grade with the shadows lifted to brown - setting: dry air at 34°C, thick with dust; a mariachi guitar playing low from the jukebox on the east wall, the fan motor, glass on wood, boots on tile, the doors knocking twice as they settle; room tone stays present under every quiet beat, never digital silence; ambience ducks under every spoken line and returns in the gap - characters: <Vova> face from @[Video 1](video_1), hair and everything else from @[Image 2](image_2). 190 cm, dark brown wavy hair falling to the shoulders, centre-parted, thick and slightly unruly, covering the tops of the ears — the hair is taken from @[Image 2](image_2) and is never redrawn from the video reference. Black cropped jacket with silver conchos down both fronts, black shirt open at the throat, silver chain, black jeans with silver buttons down the outer seam, worn black boots. He stands about 7 cm taller than El Patrón. Keep identical in every shot. <El Patrón> corresponds to @[Image 4](image_4). 183 cm, moustache, hair slicked back, white linen shirt with the sleeves rolled, gold chain, dark trousers, brown belt, brown boots, gold watch, rings. Keep identical in every shot. <Anya> corresponds to @[Image 5](image_5). Short blonde-grey hair, round glasses, silver hoop earrings, black blazer with white stitching. Keep identical in every shot. <Bartender> a thin older man, apron, towel over the shoulder. Keep identical in every shot. - acting — Vova: scene direction: keep it ordinary, let the room do the work, never sell anything fuel: he knows exactly what is in the case and quietly enjoys that they do not goal: make them ask instead of making them listen obstacle: the pull to explain himself; one sentence of pitch and the room owns him tactic: says nothing until asked twice, then answers a half-beat late and one word shorter than expected, checking the mirror after each answer to see whether the man is waiting for more, and giving him less each time channel: walking, then setting the case flat on the bar and working the latches without hurry gaze always engaged in the task, natural blink cadence - acting — El Patrón: scene direction: same, keep it ordinary, nothing here is worth standing up for fuel: three men came through those doors this year with a case and he is still the one sitting goal: get him out through the same doors without leaving the stool obstacle: curiosity, which he refuses to show and which leaks through every repeated question tactic: asks, then lets the pause run past comfortable to see whether the man fills it; the man never does, so he has to ask again, and each repeat costs him a little ground channel: turning a glass slowly on the bar top, never lifting it gaze always engaged in the task, natural blink cadence - acting — Anya: listener_task: she is checking whether the number on her tablet is final or still moving, and the bar is not part of that until it is CONTRAST AXIS: risk. Vova courts it, El Patrón holds ground against it. Both speak sparsely, both flat, both dry — the comedy lives in how alike they sound while wanting opposite things. Neither is a villain: two quiet men at a bar trading short sentences, and the older one loses ground only by having to ask twice. EYELINE GEOMETRY, anchored to the room and to each body, never to screen sides: (A) Vova and El Patrón face north at the bar — each looks at the other's REFLECTION in the spotted mirror, and their real heads stay turned toward the bottles; (B) Anya's table sits past El Patrón's OWN RIGHT shoulder — to reach her he rotates his head toward that shoulder and looks back over it; (C) the doors sit directly behind both of them to the south — glancing
NEUROPROSTIR — 入场 → 权衡 → 手提箱 → 单和弦 → 第二十次 → LOGO 镜头结构：11 个镜头，30 秒，4:3 比例，严格按照列表执行，不得增加镜头。参考资料：@[Image 1](image_1) = 场景参考图。仅控制房间本身——建筑结构、布局、材质、窗户位置、吧台位置、固定装置、空间色调。每个镜头均在此房间内布置。@[Video 1](video_1) = Vova 面部的视频参考。仅控制发际线以内的面部几何结构、五官、皮肤和表情范围：前额、眼睛、鼻子、嘴巴、下颌、肤色。不控制头发、发际线、发际线以上的头部形状或颈部以下的部分。@[Image 2](image_2) = 角色设定集。控制 Vova 的头发长度、发缝、发量和垂感，以及他的体格、身高、服装和轮廓。@[Image 3](image_3) = 道具三视图。仅控制吉他的形状、颜色、磨损程度以及下侧板上的 Logo。@[Image 4](image_4) = 角色设定集。控制 El Patrón 的面部、头发、体格和服装。@[Image 5](image_5) = 照片参考。控制 Anya 的面部、头发、眼镜、耳环和夹克。@[Image 6](image_6) = 品牌参考。仅用于最后一个镜头，控制 Logo 形状、橙色到紫色的渐变、文字标识、订阅按钮以及服务器机房环境。激活的参考资料：@[Image 1](image_1) 95% · @[Video 1](video_1) 90%（仅限面部） · @[Image 2](image_2) 95%（头发、体格、服装） · @[Image 3](image_3) 95% · @[Image 4](image_4) 90% · @[Image 5](image_5) 90% · @[Image 6](image_6) 100%（仅限最后一个镜头）。场景布局映射 — 全片固定，每个镜头均以此为锚点：- 房间东西向约 12 米，南北向约 9 米。赤陶地砖，土坯抹灰墙，外露深色木梁天花板。- 北墙：吧台，长 6.2 米，配有黄铜栏杆、一面斑驳的镜子，吧台后方是一整面墙的酒瓶。吧台上方悬挂着一盏 2400K 的灯泡。- 南墙：双开弹簧门，宽 1.4 米，是唯一的入口。- 西墙：三扇百叶窗。这是房间内唯一的自然光来源。- 东墙：一台点唱机，旁边有一张桌子。- 中心：一台缓慢旋转的吊扇，门与吧台之间散布着几张桌子。固定位置 — 每个角色在全片中始终占据一个固定位置，不会出现在两个地方：- <Bartender> 位于吧台后方中央，面朝南侧房间。- <Vova> 从南门进入，向西北方向穿过地面，停在吧台的西端。从第 3 个镜头开始，他一直站在那里，不再移动。- <El Patrón> 从第一帧到最后一帧，一直坐在吧台的凳子上，位于 Vova 停靠点以东约 2.5 米处。他从不站起，也从不离开凳子。- <Anya> 从第一帧到最后一帧，独自坐在点唱机旁边的东侧桌子前，面前放着威士忌和平板电脑。她从不换桌。- 六名男子坐在中心和南侧的散桌旁，均为坐姿，无人坐在吧台。吧台轴线：Vova 和 El Patrón 并排站在/坐在吧台边，两人均面朝北方的酒瓶。他们通过斑驳的镜子交谈，而非面对面。摄像机在全片中始终保持在吧台南侧，绝不进入吧台后方。全局风格说明：- 视觉：下午晚些时候的阳光透过三扇西侧百叶窗作为唯一的自然光源，形成 3000K 的硬边缘光，在地砖和北墙上投下长长的条状阴影，光束中可见尘埃和烟雾；吧台上方 2400K 的灯泡在 Vova 停靠处形成一个小小的暖光池，而 El Patrón 的凳子位于两道百叶窗阴影的间隙中，光线较暗，没有额外照明；房间远离窗户的部分沉浸在深琥珀色的阴影中；35mm 电影胶片质感，Kodak Vision3 500T 增感一档，重颗粒感，百叶窗条纹处有光晕，暖赭色调，阴影部分提亮至棕色。- 环境：空气干燥，气温 34°C，尘土飞扬；东墙点唱机播放着低沉的墨西哥流浪乐队吉他曲，伴有风扇电机声、玻璃碰木头的声音、靴子踩在地砖上的声音；门在闭合时发出两次撞击声；房间底噪在每个安静的节拍下始终存在，绝非数字静音；环境音在每句台词间隙回升。- 角色：<Vova> 面部参考 @[Video 1](video_1)，头发及其他部分参考 @[Image 2](image_2)。身高 190 cm，深棕色波浪卷发垂至肩部，中分，浓密且略显凌乱，遮住耳廓顶部——头发取自 @[Image 2](image_2)，绝不根据视频参考重绘。黑色短款夹克，前襟两侧饰有银色圆盘装饰，黑色衬衫领口敞开，佩戴银链，黑色牛仔裤外侧缝线处有银色纽扣，穿着磨损的黑色靴子。他比 El Patrón 高约 7 cm。在所有镜头中保持一致。<El Patrón> 对应 @[Image 4](image_4)。身高 183 cm，留胡须，头发后梳，白色亚麻衬衫袖子卷起，佩戴金链，深色长裤，棕色皮带，棕色靴子，金表，戒指。在所有镜头中保持一致。<Anya> 对应 @[Image 5](image_5)。短金灰色头发，圆框眼镜，银色圆环耳环，黑色西装外套配白色缝线。在所有镜头中保持一致。<Bartender> 一名瘦削的老年男子，系围裙，肩上搭着毛巾。在所有镜头中保持一致。- 表演 — Vova：场景指导：保持自然，让环境去叙事，不要刻意表演。动力：他清楚手提箱里装的是什么，并暗自享受对方并不知情的事实。目标：让他们主动询问，而不是让他们听他解释。障碍：想要解释自己的冲动；只需一句推销，他就会被这个房间所掌控。策略：在被问到两次之前保持沉默，回答时延迟半拍，且比预期少说一个词，每次回答后查看镜子，观察对方是否还在等待更多信息，并每次都给予更少的回应。动作：行走，然后将手提箱平放在吧台上，不慌不忙地操作锁扣，目光始终专注于任务，自然的眨眼节奏。- 表演 — El Patrón：场景指导：同样，保持自然，这里没有任何事值得他站起来。动力：今年有三个人带着手提箱走进这扇门，而他依然是那个坐着的人。目标：让他从进来的门离开，而无需自己起身。障碍：好奇心，他拒绝表现出来，但这种好奇心却从他每一次重复的问题中流露出来。策略：提问，然后让停顿的时间超过舒适的限度，观察对方是否会填补空白；对方从未填补，所以他不得不再次询问，每一次重复都让他处于劣势。动作：在吧台上缓慢转动酒杯，从不拿起。目光始终专注于任务，自然的眨眼节奏。- 表演 — Anya：监听任务：她正在确认平板电脑上的数字是最终结果还是仍在变动，在结果确定前，吧台的事与她无关。对比轴线：风险。Vova 追求风险，El Patrón 抵御风险。两人言语稀少，语气平淡、干涩——喜剧效果在于他们听起来如此相似，却有着截然相反的诉求。两人都不是反派：两个安静的男人在吧台交换简短的句子，而年长者因为不得不问两次而处于劣势。视线几何，锚定于房间和每个人的身体，而非屏幕边缘：(A) Vova 和 El Patrón 在吧台面朝北——每个人都看着对方在斑驳镜子中的倒影，真实的头部始终转向酒瓶方向；(B) Anya 的桌子位于 El Patrón 右肩后方——为了看向她，他将头转向右肩并回望；(C) 门位于两人正后方的南侧——瞥视
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