[REFERENCE LAYER]
Uploaded reference images, in upload order:
@Image1 — CHARACTER REFERENCE, BUNGEE STATE. The man, wearing his black bungee harness
with the shirt collar closed. Identity and wardrobe reference only.
@Image2 — CHARACTER REFERENCE, VILLA STATE. The same man with no harness and the shirt
collar open. Identity and wardrobe reference only.
@Image3 — PRODUCT REFERENCE. The NAGI beer can. Design reference only.
Follow @Image1 strictly for his face, hair, stubble, build and clothing in every shot from
0s to 13s, including the black bungee harness on his waist and thighs.
Follow @Image2 strictly for the same man from 13s to 18s, with no harness and an open collar.
Follow @Image3 strictly for the can in every shot where it appears: the matte pale sea-glass
body, the bare silver rim, lid and tab, the thin white horizontal line, the white word
"NAGI", the small white "JAPANESE LAGER" beneath it, and the slender white barley ear.
The man in @Image1 and the man in @Image2 are the SAME person. Keep one single identity.
None of these images is a starting frame. Do not open the film on any of them. Do not
inherit their composition, their angle, their crop, their flat grey background or their flat
studio lighting. Take only the identity, the wardrobe and the product design from them.
[ONE-LINE SUMMARY]
18 seconds | 16:9 | 24fps | 720p. Live-action beer commercial.
The man from @Image1 dives head-first off a catwalk on a jungle bridge, falls into a gorge
toward a single point of white light, grabs the @Image3 can resting on a crystal at the
bottom, rises holding it, and arrives in a luxury villa where he finally relaxes.
Cinematic live action, shallow depth of field, natural light. Fast-paced advertising edit.
[GLOBAL SETUP]
Environment and texture: Remote Southeast Asian jungle at morning, a vast limestone gorge
filled with mist. Humid air. Emphasize extremely realistic physical texture.
Visual style: Cinematic live action. Shallow depth of field. Natural light and backlight.
Film grain.
Camera language: Only one camera movement per shot. Never mix movements.
Character: exactly as in @Image1 — lean and wiry, long narrow face, warm tanned weathered
skin, narrow hooded eyes, straight nose bridge, thin lips, angular jaw, short black hair
with grey at the temples, light patchy stubble, faded olive-green jungle shirt with
sleeves rolled below the elbow, dark khaki cargo trousers, scuffed brown hiking boots.
Preserve real fine pores and authentic skin texture.
From 0s to 11s he always wears the black bungee harness from @Image1: the waist belt with
its steel buckle and both thigh loops joined by flat webbing. The harness is visible
whenever his body in frame. Never remove it early.
From 13s onward he matches @Image2 exactly: no harness of any kind, collar button open.
Product: exactly as in @Image3. Never change the colour, proportions or printing of the can.
Falling posture rule: He always goes over the edge leading with his head and chest, tipping
his upper body forward into the drop. His feet leave the catwalk last. He never steps off
feet-first, never drops feet-down, and never falls with his legs below him. He is head-down
and upper-body-first from the instant he leaves the catwalk until he reaches the bottom.
Can orientation rule (important): While it rests on the crystal, the can stands UPSIDE DOWN
in world space — its lid resting flat on the crystal surface, its base pointing up toward
the sky, and the word "NAGI" reading upside down to the world. This is intentional; do not
correct it. Because the man arrives head-down, the can appears upright from his point of
view, so he grips it in a completely natural way, thumb toward the lid. When his body then
rotates head-up, the can rotates with his hand and ends up correctly oriented, lid up,
held naturally. His grip never changes or re-adjusts during this rotation.
Core of the performance: Falling = everyday stress. Rising = release.
The film opens on a tense face and answers it with the same face released.
VOICE-OVER RULE (read carefully): There are exactly two spoken lines in this entire film.
Both are voice-over, spoken by an unseen narrator with a calm, low, warm male voice,
unhurried and quiet. Nobody on screen speaks these lines. The man's mouth does not move
for them and there is no lip sync anywhere in the film. The two lines are:
at 8.5s — 「うるさい毎日に、」
at 15.5s — 「静けさを、一本。」
These two short lines are the complete and total amount of speech in the film.
Add no other narration, no other dialogue, no improvised words, no extra sentences,
and do not repeat these lines. The only other human sound in the film is his scream
during 4.5-7.5s, which is not speech.
[TRANSITION SETUP]
Forbid hard cuts. Forbid objects appearing out of nothing.
Maintain the breathing of the camera in harmony with the shot lengths,
and leave enough time for each transition.
This film has exactly eight shots. Render all eight. Do not merge or drop any of them,
including the short opening shots.
[TIMESTAMPS]
0-1s [THE FACE — EXTREME CLOSE-UP]
Action: The film opens on this shot. Extreme close-up of the @Image1 man's face filling
the frame. Sweat beads at his temple and runs down. His pupils are wide. His jaw is tight
and a muscle flexes at the hinge. He blinks once, hard. His breathing is shallow and fast
through slightly parted lips, and his eyes flick downward and away, unable to hold still.
Loose strands of hair move in the wind at the edge of frame.
Intent: Put the viewer inside his stress before showing them anything else. This is dread,
not adventure.
Camera: Extreme close-up, locked off. No camera movement at all.
Color: Cold blue-green. Desaturated. Hard side light from a low sun.
Audio: A deep slow human heartbeat, low and very close, as if heard from inside his own
chest. This is the only prominent sound. Beneath it, only his shallow breathing and the
faint sound of wind moving through the gorge. There are no city sounds of any kind: no
traffic, no cars, no crowds, no station announcements, no phones, no machinery, no
distant voices. No background music. No voice-over in this shot.
On-screen text: none.
-> Natural cut
1-2.5s [THE VOID — STRAIGHT DOWN]
Action: Cut to a camera positioned high above, looking straight down. Directly below, a
narrow open steel-grating catwalk juts out from a rusted steel truss bridge into empty
air, a thin bright line across an enormous field of drifting mist. The @Image1 man is a
small figure standing near its tip, wearing his harness, the bungee rope curling behind
him along the grating. Below and around the catwalk there is nothing but the mist-filled
void of the gorge.
Intent: One pure image of how high and how alone he is. No face, no acting — the thin line
of metal and the void do the work.
Camera: Directly overhead, looking straight down, locked off. No camera movement at all.
Color: Cold blue-green. Heavy mist. Almost abstract.
Audio: Only the heartbeat, close and loud. Wind moving through the gorge. The faint creak
of steel grating. No city sounds. No background music. No voice-over in this shot.
On-screen text: none.
-> Natural cut
2.5-4.5s [THE JUMP — FULL BODY, SIDE ON]
Action: Cut to a side view of the catwalk from across the open air, at roughly the same
height as the man. His full body is clearly visible, matching @Image1 exactly, with the
black bungee harness plainly visible on his waist and thighs and the rope running from it
back along the grating. So is the structure he st
[参考图层]
上传的参考图像,按上传顺序排列:
@Image1 — 人物参考,蹦极状态。该男子穿着黑色蹦极安全带,衬衫领口扣紧。仅供身份和服装参考。
@Image2 — 人物参考,别墅状态。同一名男子,未穿安全带,衬衫领口敞开。仅供身份和服装参考。
@Image3 — 产品参考。NAGI 啤酒罐。仅供设计参考。
在 0 秒至 13 秒的每个镜头中,请严格遵循 @Image1 的面部、发型、胡茬、体格和服装,包括他腰部和大腿上的黑色蹦极安全带。
在 13 秒至 18 秒期间,请严格遵循 @Image2 中的同一名男子,不带安全带且领口敞开。
在所有出现罐子的镜头中,请严格遵循 @Image3:哑光浅海玻璃色罐身、裸露的银色罐沿、盖子和拉环、细长的白色水平线、白色单词“NAGI”、下方的小字“JAPANESE LAGER”以及细长的白色麦穗。
@Image1 和 @Image2 中的男子是同一个人。请保持单一的身份特征。
这些图像均非起始帧。请勿以其中任何一张作为影片的开场。请勿继承它们的构图、角度、裁剪、平淡的灰色背景或平淡的摄影棚灯光。仅从中获取身份、服装和产品设计。
[一句话总结]
18 秒 | 16:9 | 24fps | 720p。实拍啤酒广告。
来自 @Image1 的男子从丛林桥梁的猫道上头朝下跳入峡谷,向着一点白光坠落,抓住底部水晶上放置的 @Image3 罐子,起身握住它,随后抵达豪华别墅并最终放松下来。
电影感实拍,浅景深,自然光。快节奏广告剪辑。
[全局设置]
环境与质感:清晨偏远的东南亚丛林,充满薄雾的巨大石灰岩峡谷。空气潮湿。强调极其真实的物理质感。
视觉风格:电影感实拍。浅景深。自然光与逆光。胶片颗粒感。
镜头语言:每个镜头仅限一种运镜方式。切勿混合运镜。
人物:与 @Image1 完全一致 — 瘦削精干,长窄脸,温暖的古铜色风霜皮肤,窄小的兜帽眼,鼻梁挺直,薄唇,下颌轮廓分明,黑色短发,鬓角有灰白,稀疏的胡茬,袖口卷至肘部下方的褪色橄榄绿丛林衬衫,深卡其色工装裤,磨损的棕色登山靴。保留真实的细微毛孔和地道的皮肤纹理。
从 0 秒到 11 秒,他始终穿着 @Image1 中的黑色蹦极安全带:带有钢扣的腰带,以及由扁平织带连接的双大腿环。只要身体在画面中,安全带就必须可见。切勿过早移除。
从 13 秒开始,他与 @Image2 完全匹配:不带任何安全带,领口纽扣敞开。
产品:与 @Image3 完全一致。切勿更改罐子的颜色、比例或印刷内容。
坠落姿势规则:他总是头和胸部领先越过边缘,上半身向前倾斜坠入。双脚最后离开猫道。他绝不能先迈脚,绝不能脚朝下坠落,也绝不能双腿在下方坠落。从离开猫道的那一刻起直到到达底部,他始终保持头朝下、上半身领先的姿态。
罐子朝向规则(重要):当罐子放置在水晶上时,它在世界空间中是倒置的 — 盖子平放在水晶表面,底部指向天空,“NAGI”字样对世界而言是倒过来的。这是刻意为之;请勿纠正。由于男子是头朝下抵达的,从他的视角看罐子是正向的,因此他以非常自然的方式握住它,拇指朝向盖子。当他的身体随后旋转至头朝上时,罐子随他的手一同旋转,最终呈现出正确的方向,即盖子朝上,握持自然。在旋转过程中,他的握姿从不改变或调整。
表演核心:坠落 = 日常压力。上升 = 释放。
影片以一张紧绷的脸开场,并以同一张脸的放松状态作为回应。
旁白规则(请仔细阅读):整部影片中仅有两句台词。
均为旁白,由一名未出镜的叙述者以平静、低沉、温暖的男声讲述,不紧不慢且安静。屏幕上的任何人都不说这些台词。男子的嘴部不会为这些台词而动,影片中没有任何口型同步。这两句台词是:
在 8.5 秒时 — “在喧嚣的日常中,"
在 15.5 秒时 — “宁静,尽在一罐。”
这两句简短的台词是影片中全部的语言内容。不要添加其他旁白、对话、即兴词汇或额外句子,也不要重复这些台词。影片中唯一的人类声音是他 4.5-7.5 秒期间的尖叫声,那不是台词。
[转场设置]
禁止硬切。禁止物体凭空出现。
保持摄像机的呼吸感与镜头长度相协调,并为每次转场留出足够的时间。
本片共有八个镜头。请渲染全部八个镜头。不要合并或删除其中任何一个,包括简短的开场镜头。
[时间戳]
0-1 秒 [面部 — 特写]
动作:影片以此镜头开场。@Image1 男子面部的特写填满画面。汗珠在他的鬓角渗出并流下。瞳孔放大。下颌紧绷,咬肌凸起。他用力眨了一次眼。他通过微张的嘴唇进行浅而快的呼吸,眼睛向下并向一侧瞥去,无法保持静止。散乱的发丝在画面边缘随风飘动。
意图:在展示任何其他内容之前,让观众感受到他的压力。这是恐惧,而非冒险。
摄像机:特写,固定机位。完全没有运镜。
色彩:冷蓝绿色。低饱和度。来自低角度太阳的强侧光。
音频:深沉缓慢的心跳声,低沉且非常近,仿佛从他自己的胸腔内听到。这是唯一突出的声音。在此之下,只有他浅浅的呼吸声和峡谷中微弱的风声。没有任何城市声音:没有交通、汽车、人群、车站广播、电话、机械、远处的谈话声。没有背景音乐。此镜头中没有旁白。
屏幕文字:无。
-> 自然切镜
1-2.5 秒 [虚空 — 直视下方]
动作:切至高处俯视的摄像机,直视下方。正下方,一条狭窄的开放式钢格猫道从生锈的钢桁架桥延伸至虚空,在漫天薄雾中形成一条细长的亮线。@Image1 男子是一个站在末端附近的小人影,穿着安全带,蹦极绳沿着格栅在他身后盘绕。猫道下方和周围除了充满薄雾的峡谷虚空外别无他物。
意图:展现他身处何等高度、何等孤独的纯粹画面。没有面部,没有表演——细长的金属线条和虚空本身即是表达。
摄像机:正上方,直视下方,固定机位。完全没有运镜。
色彩:冷蓝绿色。浓雾。近乎抽象。
音频:只有心跳声,近而响亮。峡谷中的风声。钢格栅微弱的吱呀声。没有城市声音。没有背景音乐。此镜头中没有旁白。
屏幕文字:无。
-> 自然切镜
2.5-4.5 秒 [跳跃 — 全身,侧面]
动作:切至猫道的侧面视角,从开阔的空中拍摄,高度与男子大致相同。他的全身清晰可见,与 @Image1 完全匹配,腰部和大腿上的黑色蹦极安全带清晰可见,绳索从安全带延伸回格栅上。他所处的结构也显示在...
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