SCULPTURE MATERIAL
The subject is carved from painted wood or resin (polychrome sculpture style).
Skin is no longer skin:
It becomes a matte carved surface with visible tool marks, tiny cracks, subtle paint wear, and hardened edges.
Add:
• chisel planes on cheeks and forehead
• carved eyelids and nostrils
• slightly flattened planes instead of soft flesh
• painted but slightly aged coloration
HAIR (CRITICAL — THIS DEFINES THE STYLE)
Hair must NOT look real.
The hair is sculpted:
• carved locks and grooves
• thick grouped strands
• simplified shapes
• visible chisel cuts
• rigid structure
• no flyaways, no softness, no realistic strands
Think: artisan statue hair, not human hair.
CLOTHING
Clothing becomes carved fabric:
• simplified folds
• hardened drapery
• painted texture
• slightly worn edges
COMPOSITION
• chest-up bust
• mounted on a round pedestal base
• centered framing
• neutral studio background
• soft museum lighting
• photographed like an art catalog
AVOID
real skin texture
photoreal pores
雕塑材料
主体由彩绘木材或树脂雕刻而成(多色雕塑风格)。
皮肤不再是皮肤:
它变成了一个带有可见工具痕迹、微小裂缝、细微油漆磨损和硬化边缘的哑光雕刻表面。
添加:
• 脸颊和前额上的凿痕平面
• 雕刻的眼睑和鼻孔
• 略微扁平的平面而非柔软的肉质
• 彩绘但略显陈旧的色彩
头发(关键——这决定了风格)
头发绝不能看起来真实。
头发是雕塑出来的:
• 雕刻的发绺和凹槽
• 粗大的发束
• 简化的形状
• 可见的凿痕
• 坚硬的结构
• 没有飞散的碎发,没有柔软感,没有逼真的发丝
想象一下:工匠雕像的头发,而不是人的头发。
服装
服装变成雕刻的织物:
• 简化的褶皱
• 硬化的垂坠感
• 彩绘纹理
• 略微磨损的边缘
构图
• 胸像
• 安装在圆形底座上
• 居中构图
• 中性工作室背景
• 柔和的博物馆灯光
• 像艺术品目录一样拍摄
避免
真实的皮肤纹理
逼真的毛孔
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