Goal: Create a dramatic vintage editorial poster about the disastrous 1859 Leipzig premiere of a Brahms piano concerto, in a bold historical collage style.
Canvas: Vertical 4:5 poster, aged cream paper background with slight stains and print texture, high contrast black, ivory, vivid cobalt blue, and a thin red accent line.
Layout: Left side dominated by huge stacked Spanish headline text in ultra-condensed bold black sans-serif, reading {argument name="headline text" default="SOLO TRES PERSONAS APLAUDIERON"}. Place the headline in 3 lines: “SOLO TRES”, “PERSONAS”, “APLAUDIERON”. Add a thin red underline beneath the last headline line. Below it, add a smaller cobalt-blue location/date line reading {argument name="location date" default="LEIPZIG, 1859"}. Bottom-left corner shows a small white page marker reading {argument name="page marker" default="1/4"}.
Main subject: On the right half, place a large engraved black-and-white portrait of {argument name="composer" default="Johannes Brahms"}, shown from the chest up, serious and brooding, facing slightly left, with wavy swept hair, Victorian jacket, white shirt, and bow tie. The portrait should look like an antique etching cut out from paper, with a pale irregular border around it.
Collage elements: Include exactly 4 main visual collage elements besides the portrait: 1) a black-and-white antique concert hall interior photo in the upper right, cropped rectangular, showing ornate balconies, columns, ceiling decoration, and chandelier; 2) a close-up strip of piano keys in the lower left, angled diagonally; 3) torn sheet music across the lower center, tilted and partly overlapping the piano keys; 4) a cobalt-blue angular paper shape behind the lower center figures and sheet music. Include exactly 3 small black silhouetted people standing on the blue shape near the lower center, all clapping, spaced evenly, representing the only three applauding attendees.
Typography and style: Use brutalist poster typography, tall condensed block letters, slightly imperfect ink edges, distressed offset printing, halftone dots, photocopied engraving texture, torn-paper collage edges, and a documentary music-history mood. The composition should feel like a magazine carousel cover or historical YouTube essay thumbnail, with strong visual hierarchy and no extra decorative text.
Constraints: Preserve exactly the visible text elements and counts: 1 large headline, 1 red underline, 1 blue location/date label, 1 page marker, 1 composer portrait, 1 concert hall photo, 1 piano-key image, 1 sheet-music fragment, 1 blue angular shape, and exactly 3 applauding silhouettes. Do not add logos, watermarks, captions, or additional people.
目标：创作一张极具戏剧性的复古编辑风格海报，讲述 1859 年勃拉姆斯钢琴协奏曲在莱比锡首演的惨败，采用大胆的历史拼贴风格。
画布：垂直 4:5 海报，带有轻微污渍和印刷纹理的陈旧奶油色纸张背景，高对比度的黑色、象牙白、鲜艳钴蓝色，以及一条细红线作为点缀。
布局：左侧由巨大的堆叠式西班牙语标题占据，采用超紧凑的粗体黑色无衬线字体，内容为 {argument name="headline text" default="SOLO TRES PERSONAS APLAUDIERON"}。将标题分为 3 行：“SOLO TRES”、“PERSONAS”、“APLAUDIERON”。在最后一行标题下方添加一条细红线。在下方，添加一行较小的钴蓝色地点/日期文字 {argument name="location date" default="LEIPZIG, 1859"}。左下角显示一个小的白色页面标记 {argument name="page marker" default="1/4"}。
主体：在右半部分，放置一张巨大的黑白雕版肖像画，主角为 {argument name="composer" default="Johannes Brahms"}，展示胸部以上，表情严肃沉郁，略微向左侧，留着波浪卷发，身着维多利亚时代夹克、白衬衫和领结。肖像应看起来像从纸上剪下的古董蚀刻画，周围有浅色不规则边框。
拼贴元素：除肖像外，包含 4 个主要的视觉拼贴元素：1) 右上角一张黑白古董音乐厅内部照片，矩形裁剪，展示华丽的阳台、立柱、天花板装饰和吊灯；2) 左下角一张钢琴琴键的特写长条，呈对角线倾斜；3) 底部中心横跨一张撕裂的乐谱，倾斜并部分覆盖在琴键上；4) 底部中心人物和乐谱后方有一个钴蓝色的几何纸张形状。在底部中心附近的蓝色形状上，包含 3 个黑色剪影小人，均在鼓掌，间距均匀，代表仅有的三位鼓掌观众。
排版与风格：采用粗野主义海报排版，高大的紧凑块状字母，略显不完美的墨迹边缘，做旧的胶印效果，半色调网点，复印雕刻纹理，撕纸拼贴边缘，以及纪录片式的音乐历史氛围。构图应类似于杂志轮播封面或历史类 YouTube 视频缩略图，具有强烈的视觉层级，且不含多余的装饰性文字。
约束：保留所有可见的文本元素和数量：1 个大标题，1 条红线，1 个蓝色地点/日期标签，1 个页面标记，1 幅作曲家肖像，1 张音乐厅照片，1 张钢琴琴键图像，1 个乐谱碎片，1 个蓝色几何形状，以及正好 3 个鼓掌的剪影。不要添加任何徽标、水印、标题或额外的人物。
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